Book Blog Tour: Dark Genesis by A.D. Koboah

Today, I’m promoting the first book to to A.D. Koboah’s The Darkling Trilogy, Dark Genesis. I have for you the WHOLE first chapter of the book. Amazeballs, isn’t it? Dark Genesis is a paranormal romance and I’m sure you’re all excited now. So hop on and enjoy the first chapter!

About Dark Genesis

Dark Genesis (The Darkling Trilogy, Book 1).

Life for a female slave is one of hardship and unspeakable sorrow, something Luna knows only too well. But not even she could have foreseen the terror that would befall her one sultry Mississippi evening in the summer of 1807.

On her way back from a visit to see the African woman, a witch who has the herbs Luna needs to rid her of her abusive master’s child, she attracts the attention of a deadly being that lusts for blood. Forcibly removed from everything she knows by this tormented otherworldly creature, she is sure she will be dead by sunrise.

Dark Genesis is a love story set against the savage world of slavery in which a young woman who has been dehumanised by its horrors finds the courage to love, and in doing so, reclaims her humanity.

Buy from: Amazon | Amazon.co.uk | Smashwords

Excerpt: Chapter One

My name is Luna and my tale begins on a dry summer evening in 1807.

I was walking quickly along a dusty country road, my shoes stirring up a small cloud of dust that turned the hem of my faded violet dress a muddy brown. The trail of dust I left in my wake soon settled. But the pressing need that had me make this two-hour journey in beaten shoes and a broken spirit, in the midst of a particularly merciless Mississippi summer, would not be settled as easily. Wiping the sweat from my brow and waving away the flying insects that droned lazily near my face, I wished for some respite from the relentless heat but found none. Although the sun hung low in the topaz blue sky, it felt as if I were walking through warm soup and it was likely to stay like this long after the sun went down.

I would have found some relief from the pitiless sun if I had chosen to walk through the woods that rose up on either side of the road like a green and brown wall. But green woody spaces such as those have been a deep source of fear for me since I was a child and I imagined that they would continue to be so long past what I guessed was my twenty-second or twenty-third year on this earth. So I clutched my lantern and small cloth bundle and walked on in the heat, listening to the birdcalls punctuate the otherwise still air.

I was lucky to be able to make this journey during the summer months as the previous two trips had been made in the dead of winter when night gathered up the day long before I could finish serving the family’s supper and slip away, leaving the other house slaves to do my share of work and conceal my absence. That small mercy meant that I didn’t have to walk alone in the dark, afraid to light my lamp in case the solitary glow brought unwanted attention my way, or have to dive into the trees every time the sound of a horse’s hooves disturbed the sweet melody of the crickets. It also meant that when I turned the corner and saw the woodland give way to cotton fields, marking the beginning of the Marshall plantation, there was still roughly two hours of daylight left, which meant I would be able to finish my business and be back before dark, hopefully before I was missed by my hawk-eyed mistress.

I stopped for a second to gaze at the rows of cotton up ahead. I have always thought that there was something heavenly about cotton fields, which looked like row upon row of fleecy white clouds caught up in brown nets. But I’m sure that the brown-skinned figures bent double between those rows would have disagreed. For them, there was nothing even remotely celestial about the cotton fields in which they had been toiling since sunrise. And they were likely to still be working in them when the sun set. Even from this distance I could see that most of them were wretchedly thin, their few flimsy items of clothing in tatters. And although I wasn’t close enough to see their faces, I was sure that they all wore uniform expressions of misery and fatigue.

I left that unhappy sight and ducked into the trees on my left, a necessary shortcut to the slave quarters. Although many slaves have used this shortcut on their way to see the African woman, I’m sure I’m the only one who ran all the way through the trees looking back over my shoulder even though I knew I wasn’t being followed. Only when I saw a flash of white through the trees did I slow down so my breathing could return to normal by the time I exited the screen of trees.

The slave quarters were little white cabins made of wood, which lay in two long rows some distance from the Master’s mansion. Only a few children were around at this hour, some of whom recognised me and stopped what they were doing to stare with a quiet reverence that made me uncomfortable. It was the same reverence I had received from the grownups the last two times I had come here under the cover of darkness and they had not only stopped what they were doing to watch me pass by, but nodded or offered some sort of greeting, which I returned before hurrying on by. I didn’t have to endure that kind of scrutiny today, but I still hurried down to the lone cabin at the back of the clearing, which was nestled under the shadow of the trees some distance away from the rest of the slave quarters.

Many slaves came to visit Mama Akosua for her medicines, and her skills were known far and wide. It was also rumoured that she dealt in more than just herbs and was actually a witch. Whether that was true or not, she was feared by many, even some of the whites, and few dared incur her wrath.

As I got nearer to the cabin, I saw that the door had been left open and a light was burning inside even though the sun had yet to go down. I approached gingerly. Already feeling the unease that always possessed me in the presence of the African woman, I walked up to the door, and stopped.

“Mama Akosua.”

There was a short spell of silence and then her voice floated out to me.

“I have been expecting you.” The voice was low and dry like the sound of rustling leaves.

She probably said that every time someone came to her door, no doubt to help foster the belief that she was a powerful all-seeing, all-knowing witch. But the words still sent icy fingers trailing down my spine and I swallowed before taking her words as permission to enter.

The cabin, which consisted of only one room, was rich with the slightly bitter, but not unpleasant, smell of dried herbs. Most of the room was taken up by a long wooden table, which held bottles, bowls and an assortment of other instruments that were used to prepare her concoctions. Every wall in the room was lined with shelves holding bottles, jars and baskets of fresh and dried herbs. The only evidence that someone lived in the cabin was the pallet in the corner. This was the most furniture I had seen in any slave cabin, but as her Master profited from the sale of her herbs, it was in his interest to make sure she had everything she needed. There was another smaller table in the centre of the room and that is where she sat, peering at me by the light of an oil lamp.

She was a small lithe woman with delicate features like mine. Her head was cleanly shaven and she would have been considered beautiful were it not for the scars, rows of lines about an inch long, marking her forehead and cheeks. It was rumoured that those scars had been self-inflicted when she was first brought to America as a slave. Some people whispered that she had done it to honour the customs of her people, others, that the journey, the horrors of the middle passage, had driven her to scar her face in madness and despair. Although I would never dare to ask her, I didn’t believe she had been driven insane. The shrewd dark eyes that met mine belonged to a strong, sharp mind and I doubted that anything could, or ever would, be able to break it.

“Evening, Mama Akosua,” I said as I walked into the circle of light.

There was still daylight outside but it didn’t seem to reach the small window in Mama Akosua’s cabin and so it was always dark in here no matter what the time of day.

She gestured to the chair opposite hers, her eyes never leaving my face. I moved to the chair and when I sat down, she pushed a small cup toward me.

“Drink,” she said.

I picked up the cup and sipped the cool concoction, which tasted vaguely of mint leaves. Whatever it was, it seemed to have an immediate effect because I no longer felt as hot and the fatigue, which had been pulling on me like lead weights, seemed to evaporate.

Feeling slightly better, I was able to meet the force of her gaze fully. She seemed to have aged a great deal since I last saw her, nearly four years ago. The lines around her eyes and the ones running from her nose to the corners of her mouth had deepened and although she was not yet forty years old, she looked much older.

She studied me for a few moments and a soft sigh escaped her when she finally shifted her gaze away from my face.

“It is as I feared,” she said and stood up, wincing from the small movement.

“You hurt?”

“It is a small price to pay,” she mumbled, more to herself it seemed.

She reached into a basket on one of the shelves and pulled out a small black cloth bundle. Moving back to the table she placed the bundle before her and when she sat down again she closed her eyes for a few seconds. She was clearly in a lot of pain.

“I have prepared what you need,” she said pulling open the cloth bundle to reveal six paper sachets of herbs.

There was no need for her to ask me why I was here. I would only risk making this dangerous journey for one reason.

“Take this tonight.” She pointed to the larger of the bundles. “The rest is to be taken for five nights after, to stop the bleeding.”

She tied up the bundle and pushed it across the table toward me.

“Thank you, Mama Akosua.”

“Is it the son this time?”

I looked up and met her intimidating gaze, but on this occasion, I couldn’t hold it. She knew how much these things shamed me yet it didn’t stop her from asking about them. When I answered, my voice was barely a whisper.

“Yes.”

“How long?”

“He… he be at my cabin near about three times a week now since Easter.”

“He is worse than his father, no?” It wasn’t a question; it was a statement.

“Yes.”

I fought back tears as an image came to me from a few weeks before. I was standing in my tiny cabin and Master John was behind me gazing at our reflections in a small handheld mirror. I don’t know if making me look at myself was one of the many ways he had of tormenting me or if he really was oblivious to the fact that I despised my face. Either way, he would make me stare at my piercing dark brown eyes framed by long sooty eyelashes, deep mahogany skin, small delicate features and large sensuous lips. My springy, unruly hair was pulled away from my face, something he insisted on, as my hair was the one thing a man like him could find no beauty in. It was always the same ordeal with the mirror whenever he came to my cabin. And I honestly don’t know which face I hated more, that of the blond-haired, blue-eyed man I had come to despise even more than his old, decrepit father, or my own. The face he was enamoured with. He eventually pulled the mirror out of my hand, and placing it on the bed, held his arms out.

“Dance with me,” he had said in a soft, silky voice.

I remained where I was, my face a blank mask but rage no doubt burning behind my eyes. I may not have had a say over his nocturnal visits, but I would not play these little games or pretend that I wanted him in my wretched little cabin.

Fast, so fast that I didn’t have time to protect myself, he raised his hand and slapped me, sending me crashing to the floor. Pain bloomed along my temple and the left side of my face. I had also bitten my lip when I hit my head. His foot came down on my neck and I felt the dirt on the sole of his boot rubbing into my skin as he pressed down, cutting off my air supply. I struggled in vain to breathe and was close to losing consciousness when he slowly removed his foot and hauled me back onto my feet as if he were picking up a sack of potatoes. Then he held out his arms again, that smile, which never seemed to leave his face, swimming before my eyes as I struggled to clear my vision.

I was bristling with anger and yet fear won out because he could do anything he wanted to me and there was nothing I would be able to do to stop him. No one I could go to for protection. I had been born and bred purely for men like him, not only to do with as they pleased, but to increase their riches by breeding more slaves for them to own.

“Dance with me,” he said again.

Tasting blood in my mouth, I did as I was ordered to do.

“Massa Henry used to please hisself and leave,” I told Mama Akosua. “But Massa John… he like to play.”

I sensed rather than saw her rage.

I had led a relatively painless existence, for a slave, up until around the age of eight or nine when Master Henry had sent me on an errand to one of the neighbouring farms, an errand which would take me through the woods. I had run eagerly out of the house, hardly believing the good fortune that meant I could spend most of the morning walking through the woods instead of working. And it was the perfect day for a long walk, a beautiful spring day. The air was crisp and cool and the sun filtering through the fresh green leaves created patches of golden haze for me to walk through. I skipped along carefree and untouched at that time by the burdens of a female slave, deviating from my path only once to chase a squirrel, losing it moments later when it darted up a tree and out of sight.

It wasn’t long before I came to a stream winding its way through the trees directly in my path and saw Master Henry on his horse. I froze straight away but wasn’t immediately frightened as it seemed his face lit up with the kind of excitement you would expect to see on the face of a man on a long quest for buried treasure at the moment he finally finds it.

“Massa Henry!” I cried, dropping the parcel he had given me to deliver. I stooped to pick it up and when I straightened, he had already dismounted and was walking quickly toward me.

Master Henry, who was in his fifties, was tall and thin, had brown hair that was peppered with grey, a beak of a nose and thin, pink lips. I felt immediately uneasy about being on my own with him so far from the house, especially since it seemed as if he had gone to the trouble of saddling up his horse and riding out of the plantation with the sole intention of overtaking me.

But I tried to allay my fears by telling myself that he had never actually given me reason to fear him. The only unnerving thing about him was that he had a habit of turning up wherever I was working and would watch me intently for far too long as if he were looking to find fault with my work. He had never actually reprimanded me for anything, but something about his manner, his long wrinkled neck, bony elbows and knees, reminded me of a vulture waiting patiently. Mary, the cook, seemed uneasy about his apparent interest in my work. Perhaps she was worried that if he found fault with anything I did it would be blamed on her. So whenever Master Henry was at home she was always beside me, helping me with my chores even though I was more than capable of doing them on my own, a light sheen of anger marking her every action, the quick furtive glances she cast in Master Henry’s direction always fearful. Sometimes she would find an excuse to call me away if Master Henry made his way into whatever room I was in. I noticed that the other house slaves did the same.

I was too young at that time to know why his greedy eyes had become my shadow or why he showed such an overt interest in everything I did. I was also too young to understand the acid rage I saw in his young wife Mistress Emily’s eyes whenever she saw him watching me, or why she had tried on more than one occasion to send me to work in the fields. And the other slaves obviously thought it was kinder not to explain it to me.

So when I saw him waiting for me that day, I knew I was in a lot of trouble but I didn’t know what I had done.

When he got to me I saw a feverish light in his eyes as they moved over my tiny body. It was as if he couldn’t see or hear anything but me. Then his hand shot out abruptly and he pushed me to the ground. When he began to wrestle with his belt I tried to crawl away, knowing now that something awful was about to happen. But he was already on top of me, ripping my dress off whilst he moaned and reached for my chest to paw at what had not yet begun to form there. The pain had been horrific and my screams seemed to heighten his pleasure as he rode me as if I were the stallion he had obviously ridden furiously in order to catch me here alone in the woods. I lost consciousness at some point, and when I came to it was to the sight of him pulling up his trousers. He had mounted his horse and then turned to look at me with what I now know to be lust and it was clear that he was considering getting off his horse to repeat what he had done. Thankfully he gently urged his horse on through the trees to make his way back to the road.

Once he was gone I rolled onto my side and sobbed. I didn’t fully understand what had happened, but I knew it was something to be ashamed of and that I couldn’t go back to the house and face Mary. There was a faintly metallic smell mingling with that of the cold dry earth and I realised that it was the smell of my own blood, which was seeping through my legs. I tried to cover myself but my dress was torn in two so I wrapped my arms around what was left of the garment and lay there crying.

After a while, when the sun had reached the highest point in the sky, the sound of a twig snapping under the weight of a person’s foot told me I was no longer alone.

I sat up with a start to see one of the slaves, Jupiter, standing about three metres away from me. He was a tall, handsome African of around eighteen years old and had coal black skin and big beautiful brown eyes.

About A.D. Koboah

A.D. Koboah was born in London and completed an English Literature degree in 2000. Her first novel, Dark Genesis, was inspired by the concept of dehumanisation and the impact it can have on the psyche. She is currently working on a screenplay and will begin the sequel to Dark Genesis shortly.

Website | Goodreads

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About whoopeeyoo

I'm a TV and film junkie. Be it American, Korean, Japanese, Taiwanese, I watch them all. No wonder I don't have enough sleep and hard drive memory. Hee. And oh, fangirling is my business.

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